This is how my partner-in-crime teaches her students to mix glazes. Seems effective.
This is how my partner-in-crime teaches her students to mix glazes. Seems effective.
Posted by timothybogatz on March 10, 2015
https://eastartroom.wordpress.com/2015/03/10/how-to-properly-mix-glazes/
Alex Cooper, Spiral
6 x 6 x 10″, Stoneware with Midfire Glaze
Slabs. Lots of them. Cut into squares, stacked, fired, and glazed. Not much more I can say about it–Alex did a good job conceptualizing and following through. It’s simple, but well-constructed and well-done.
Posted by timothybogatz on January 31, 2014
https://eastartroom.wordpress.com/2014/01/31/artwork-of-the-week-127/
Trevor Brockhaus, Starry Night Coil Pot, 9 x 9 x 18″
A little ceramics work, some art history action, and voila! Starry Night Coil Pot. The technical skill is not great, but still pretty good. What I really like is the dedication Trevor had when he decided to put this all together, and more importantly, the problem solving skills he had to utilize throughout the project. It’s not easy to translate two dimensions into three, especially with a circular form, but I think he’s done pretty well with it.
Posted by timothybogatz on January 24, 2014
https://eastartroom.wordpress.com/2014/01/24/artwork-of-the-week-120/
Today was the deadline for the Scholastic Art Awards here in Nebraska. Our art department doesn’t have the money we once did, so our entries have been scaled back considerably. I am, however, really excited about the two portfolios we entered. I’m not sure how they’ll do when it comes time for judging, but I love the effort the kids put in to creating the work, documenting the work, writing and editing their artist statements, and putting everything together for their entries. I thought I should share.
Here is Alex’s portfolio of ceramics and sculpture pieces:
Here is Shara’s drawing portfolio:
I’m very proud of these two ladies.
Posted by timothybogatz on January 10, 2014
https://eastartroom.wordpress.com/2014/01/10/scholastic-art-awards-2014/
I finally got around to firing and photographing the ceramics pieces we’ve had sitting around for a while. This piece was created by Alex Johnson. It was made with a slump mold to form the top and bottom of the base. The neck is wheel-thrown, and the handle is hand-built. It’s just under 12″ tall, and I love the glaze.
Posted by timothybogatz on November 30, 2013
https://eastartroom.wordpress.com/2013/11/30/artwork-of-the-week-1125/
Sometimes, teachers and students miscommunicate on low-fire v. mid-fire, and this is the result. The glaze was fired to a mid-fire temperature, and instead of running everywhere, it decide to boil and bubble. It’s a weird result, for sure, but I don’t think it’s all bad.
Now, just to keep people from handling it, breaking the bubbles, and cutting up their hands . . .
Posted by timothybogatz on October 30, 2013
https://eastartroom.wordpress.com/2013/10/30/alex-cooper-cereal-bowl/
Ten years ago, I took over the art room that I am currently in. Waiting for me, in amongst the indescribable mess of hoarded materials, was a collection of glazes that had to have taken YEARS to put together. Literally hundreds upon hundreds of jars of glazes, almost all of which were completely dried out. The smart move would be to toss them out and save myself the headache, but it’s tough to discard thousands of dollars worth of materials. Instead I decided to reclaim them.
It’s a process to reclaim glazes, but a little patience and elbow grease (generally provided by student aides) go a long way. I’ve ordered other glazes intermittently, but 10 years in, I’m still using the original stash. They’re old, they’re gross, and I don’t even know if I’m doing it right, but the glazes are still being utilized and still look good when fired.
Here’s my process:
1) Break down the dry glaze into smaller pieces. Obviously wear a mask if there is a lot of powder.
2) Cover with water, and let sit overnight.
3) Stir, then break up chunks of glaze, then stir, then break up chunks of glaze, then stir, then break up chunks of glaze, then . . . (I use wood footing sticks, and they have always seemed to work well). This can easily take a couple of days, especially if the glaze was dry to begin with.
4) Stir some more. As the glaze is getting smoother, keep slowly adding water to get the glaze thinned to the consistency needed. Then stir it some more.
5) Break out your blender and finish the job.
If you don’t have a blender, by the way, get one for the art room. Great for making slip really smooth, getting casting slip to the consistency needed, and of course, reclaiming glazes.
Like I said, I’m not even sure that this is the right way to do things, so I’m open to corrections/suggestions. But it is a process that has worked for me.
Posted by timothybogatz on October 2, 2013
https://eastartroom.wordpress.com/2013/10/02/glaze-reclamation/
Since I know you’ve been wondering to yourself: “Man, what if that ‘Thrift Shop’ song by Macklemore was actually about ceramics? How cool would that be?” Well, wonder no more.
I wish I had the time to record this version, and make a video, but for now, we’ll have to settle for just the lyrics. I have the song here (the clean version), and I’ll suggest you give a listen and replace with our ceramics lyrics below.
And yes, this is what I did with my plan time today.
I’m gonna throw some pots
Only got twenty pounds of buff stoneware
I – I – I’m throwing, making some ceramics
This is ****** awesome
Walk up to the art room like, “What up, I got a big pot!”
I’m so pumped about well-fitted lids on top
Glaze on the pot, it’s so damn frosty
That people like, “Damn! That’s some cold-*** pottery!”
Centering, opening, headin’ to the wheel that’s clean
Dressed in a smock, but my throwing shoes ain’t ever clean
Draped in denim aprons, girls standin’ next to me
Probably shoulda washed these, they ain’t been clean in weeks!
But man, I still gotta go throw!
Trimmin’ it, glazin’ it , ‘bout to go and get some compliments
Openin’ up the kiln my collection has been fired in
But me and my pots firing it man
I am dipping and painting and
Pouring on my piece and I’m hella happy that’s a low-fire glaze
I’ma take your recipe, I’ma take your recipe
No for real-check your glaze record—can I make a photocopy?
Soft porcelain and some new calipers
Ugly brown and green glazes I found diggin’
They had some crystalline glaze, I bought some crystalline glaze
I bought a kiln setter, now I can go three-phase
Hello, hello, my glaze man, my Mello
George Ohr’s moustache got nothing on my clay game, hell no
I could throw some nice mugs, attach handles, sell those
The gallery peeps would be like “Aw, those are hand-pulled!”
[Hook x2]
I’m gonna throw some pots
Only got twenty pounds of buff stoneware
I – I – I’m throwing, making some ceramics
This is ****** awesome
What you know about raku and kiln firing?
What you knowin’ about glazin’ and oxidation?
I’m throwing, I’m throwing, I’m trimming and putting a foot on
One man’s dirt, that’s another man’s artwork
Thank your granddad for donating that nice wood footing stick
‘Cause right now I’m up in here throwin’
I’m in the art room, you can find me on the (kick wheel)
I’m not, I’m not sick of the art room where I’m throwin’ (kick wheel)
Your grandma, your auntie, your mama, your mammie
I’ll impress those ladies when I throw some bowls, I’ll rock that ****
The big pedestal with my art on that ****
I hit the art show and they stop in that ****
They be like “Oh, that blue glaze – that’s hella tight”
I’m like “Yo – that’s cone 5 and it’s a midfire”
Put it back in the kiln, gotta cycle it once again
Twenty hours for a firing—that’s just the important ****
I call that getting thrown then trimmed
I call that getting glazed after bisque
My work’s ready to go
And having unique work that stands out keeps me original
Critique? Come take a look at my artwork, though
Trying to make art without effort? Man you hella won’t
Man you hella won’t
Clay work … Ceramics!
[Bridge x2]
I made a portfolio
My work’s incredible
I threw this big *** bowl
In that art room down the road
I’m gonna throw some pots
Only got twenty pounds of buff stoneware
I – I – I’m throwing, making some ceramics
This is ****** awesome
________________________________________
P.S.–The line about George Ohr and his moustache? He’s a famous ceramic artist who looks like this:
Posted by timothybogatz on April 9, 2013
https://eastartroom.wordpress.com/2013/04/09/thrift-shop-ceramics-edition/